July 30th, 2010 §
BHAG: Big, Hairy, Audacious Goal
BHAG: To make Superman the de-facto, number one, iconic superhero throughout the globe, particularly in the G20 and OECD countries, by increasing his presence and visibility overseas 100% (doubled) over the next 2 years in preparation for a worldwide release of The Man of Steel in 2012, in which he saves the WORLD and not just America. To increase international ticket sales of The Man of Steel by 100% (doubled to $382 million (Box Office Mojo)) over that of its predecessor Superman Returns in 2006.
July 28th, 2010 §
Attributes
The top three brand attributes of the Superman brand are: Invincible, Idealistic, and Inspirational. The term “invincible” adequately describes Superman’s strength, durability, indestructible nature, and god-like power. Superman is “idealistic” in that he conforms to an ultimate standard of morality and excellence, even at times to his own detriment. Superman is “inspirational” because his strength and power, and righteousness and character, can and do inspire others to live better lives.
Promises
The promises of the Superman brand can be summed up by his actions. He always fights for what’s right, does not stand to see injustice prevail, will not resort to evil to overcome evil, always takes the high road though it cost more, and is always consistent in character: a solid rock of morality.
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July 26th, 2010 §
As part of my schooling, I was asked to consider “The Brand Called You” about myself. My first thoughts were posted here, and this is a follow-up, “faux interview” that asked me to consider all kinds of various aspects and angles of the brand that is me, as a designer and freelancer, both now and in the future.
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July 24th, 2010 §
For one assignment in my class, we were required to read a very interesting article called “The Brand Called You” that was published by Fast Company back in 1997. I find that the things Tom Peters writes about in there are no less pertinent today than they were then, and in fact they are more so. There is also a great follow-up article on Fast Company here called “Brand You Survival Kit.” Thinking about “Brand Me” was an interesting challenge, as it is difficult sometimes to look at yourself from an outside perspective and really analyze and consider who you are and where you’re going. Therefore, writing in the third-person was an integral part of this assignment. Below, you can read a little about “Brand Me.” » Read the rest of this entry «
July 22nd, 2010 §
I created this mood board with the specific purpose of thinking about tourism from the perspective of a Western traveler who wants to take a vacation, but has little understanding about Korea. I find that the biggest problem most Western people have with Korea is a misunderstanding of it. When I say “Korea,” most people look surprised and ask me “North Korea?” Or, if they understand that South Korea is the one I’m referring to, they ask me, “What is it like with North Korea?” Most people from the Western world are so concerned with and focused on North Korea, that they miss the beauty that is South Korea. Therefore, I chose the words (and potential logo) in the top right corner of the mood board, “This is Korea.” I think that most people don’t fully understand what Korea truly is.
July 20th, 2010 §
Follow this simple checklist for GREAT tourism photos of KOREA (or any other country).
- Quality (High)
- Unique (to Korea – or the country of focus)
- Action (People are included)
- Light (Strong Colors/contrast/etc)
- Image (Clear, sharp)
- Traditional/Modern (but not generic)
- Yourself (Can you picture yourself there?)
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July 18th, 2010 §
I always have a tough time saying no to designing for friends and family. It’s really hard to explain these complications to your dear grandmother who simply wants a logo for her newsletter. You could easily be misunderstood, and come across as lazy or discourteous. –Classmate
I really agree with that statement about working for friends and family. I’m sure we’ve all had experiences like that. In my last post, I made “Mom and Dad” the difficult clients that were trying to negotiate a sweet deal on a website (and many other things). Although that exact situation has never happened to me, I’ve had friends who have experienced that (my uncle offered his son $20 for $500 worth of professional photography – and got it because his son still lives at home and he fell into the “family trap”).
Working for friends and family is always a difficult situation. Many people say, “never, EVER, do it” while others say that it’s OK. And sometimes, as the earlier quote mentions, “You could easily be misunderstood, and come across as lazy or discourteous” if you don’t help out your friends and family. » Read the rest of this entry «
July 16th, 2010 §
In honor of some of the best YouTube videos about Vendor/Client relationships, I wrote up a fictional (though realistic) dialogue between a Client and Designer. I’m sure we’ve all experienced some of these things before.
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July 14th, 2010 §
One classmate wrote some great advice:
When working with some pesky clients, instead of a contract, I will simply hold on to all high res files/printed pieces until full payment is received…
I think those are excellent ideas there. I fully agree that it is always important to hold on to all high-resolution files, and completed materials until full payment is received. I’ve done this in my freelancing work as well, and have never run into a problem. Even though a client may complain about critiquing a low-resolution print design as they “can’t see the sharpness and quality of the images,” sending them lo-res images will prevent them from just printing them without paying you.
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July 12th, 2010 §
I’ve never actually worked or freelanced under a true contract. The only clients I’ve worked with have been my church – on a volunteer basis – and a few individuals. Most of the individuals didn’t request a contract, and because I was quite new to freelancing at the time, I didn’t think to create one. Also, the website I won most of my work through then (99designs.com) had their own kind of informal “contracts.”
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